The United Nations Educational, Scientific and Cultural Organization (UNESCO) announced the addition of 16 new sites to its Intangible Cultural Heritage list on December 1. This gives us a great opportunity not just to celebrate new additions but to think about how to protect them. These 16 new sites are literally from all over the world: Europe, Asia, South America, the Middle East, and Africa. As a Japanese intern, I was personally glad to see that “Yama, Hoko, Yatai float festivals in Japan” was on the list. This tradition encompasses 33 festivals in 18 prefectures throughout Japan, showing the...Continue
This guest blog by Dave Loewenstein, the selected artist for ECA’s Community Engagement through the Arts Brazil program, first appeared here. For the prequel to the story, read about his experience in Vitória.
In a picture postcard
How would the dream of Rio compare to actually being there, especially at this moment? My first impression matched if not exceeded my expectations – the awe inspiring beauty of how human settlement is tucked in between those lush green mountains that appear like teeth sprouting from the maw of a sun bathing dragon.
Pop is Our Tradition
Hello Kitty®, Sailor Moon, sushi, anime, manga, and Studio Ghibli® are just a few examples of Japanese Pop culture that have gained popularity in the United States. J-Pop Summit looks to foster this growing interest and bring Japan straight to America. Since 2009 J-Pop Summit has been held annually in San Francisco. It was created and hosted by SUPERFROG project, whose goal is to educate the American public about the uniqueness of Japanese Pop culture. The project continues to be sponsored by a growing number of well known enterprises: UNIQLO, SEGA, Mazda, Funimation, and Lyft, just to name a few.
You may remember Michelle Angela Ortiz, a mural artist based in Philadelphia, from Meridian International Center’s Cuba Forum on June 9th. She recently returned from Cuba as part of Meridian’s Community Engagement through the Mural Arts program, a joint initiative with the State Department’s Bureau of Educational and Cultural Affairs. There, she worked with the local community in Regla to create stunning works of public art. We spoke with her about her experience, methodology, and the power of art to transform communities.
With the U.S. tour of Past Forward: Contemporary Art from the Emirates concluded after its last display in Lexington, Kentucky, Dana Al Marashi, the Embassy of the United Arab Emirates in Washington, DC’s Head of Heritage and Social Affairs Department, shares her thoughts on the exhibition: